An excellent formed Tiwanaku limestone celt. The axe head has a carved double-stylized pumas finial with perforated loop-type bodies. Half-open type hafting shaft on the reverse with rounded blade edge. Substantial scattered dendrites deposit on the surface. One puma is reattached, otherwise intact. Altiplano region, Peru/Bolivia Ca. 500 – 1000 A.D. Custom stand.
Measures: 4.75”/12.06 cm H. 2.5”/6.35 cm W. 6.5”/16.51 cm with custom metal base.
Provenance: Ex-Splendors of the World Gallery, LA., CA; Private Florida Collection
Price $1,750
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Jamacoaque Mask ca. 300 B.C. – 500 A.D.
A rare naturalistic ceramic Jamacoaque mask from ancient Ecuador. They are seldom seen in this form. The vast amounts of Jama masks consist of a state of grotesque transformation. Displayed and worn during a ceremonial setting or possibly a death mask as the eyes are perforated. Buff with red pigment (red ochre) visible. This elite/high priest wears the traditional large ornament under the nose. Also, these masks are commonly seen being worn on other fine ancient figurines.
This is an excellent example that is rarely seen.
Manabi region, Ecuador. 300 BC – 500 AD.
Measures 4.25″ H. 4.5″ W.
NOTE: Pictured with stand and cup for illustration purposes (not included). A stand can be ordered at no charge but must be requested after purchase. 5-10 day production time needed.
Price $550
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Remojadas “Sonriente” Torso Figurine
An aesthetically appealing Remojadas “Sonriente” torso. Their joyous-looking facial expressions are not clear to scholars. Some speculate their grin may represent a drug-induced euphoric state just before sacrifice. Hollow ceramic body. He wears an open garment with a loin cloth. Headdress, ear ornament, and beaded necklace. Fragmented figure with no restoration. Old mounting adhesive on back. South Central Veracruz, Mexico ca. 600 – 900 A.D.
This is a scarce, uniquely sized piece. The majority of these hollowed body figures are produced much larger. It is seldom made at this size.
Measures 6.25″ in height. Approx. 8″ on wooden stand (included).
An impressive piece that will display nicely in your collection.
Price $550
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Tiwanaku Stone Idol c. 1050 A.D.
A fine Tiwanaku sandstone idol. The body is stout with deeply incised quadratic face and body features. Hands are held at the center and high. Wears a full ceremonial garb with a banded headdress. Altiplano region, Lake Titicaca. Ca. 650 to 1050 A.D. Measures 6”/15.6 cm in height, 4”/10.2 cm in width, 3.75”/9.52 cm in length. – Rare
Condition: Sediment deposit within crevices with minor surface erosion. Old inventory No. 153 on the forehead. Fine condition.
Provenance: Ex-K. Downs, Kentucky collection; Private Florida Collection
Price $2,450
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Teotihuacan Sitting Figure
This solid molded Teotihuacan sitting figurine, originating from Xolapan, Mexico, exemplifies the artistry and symbolism of the Teotihuacan civilization during the Classic period, around 300 to 650 A.D. The figure’s distinct triangular face, with its horizontal eye slits, shaped nose, and mouth, is characteristic of Teotihuacan portraiture, reflecting the unique aesthetic values of the culture.
The figure wears a large, wide-band headdress, a significant element in Teotihuacan iconography often associated with status or religious symbolism. The headdress features a central applique that retains traces of red pigment, a color frequently used in Teotihuacan art to convey power, vitality, or sacred significance. This red pigmentation also appears on the ear discs, which are large and round, further emphasizing the figure’s importance. The attire is detailed, with the shoulder and waist garments carefully modeled to enhance the figure’s presence.
The surface of the figure retains ample remains of whitewash, a common feature in Teotihuacan sculptures. This whitewash likely enhanced the figure’s visual impact, possibly in ceremonial or ritual contexts. The interplay of the white and red pigments underscores the Teotihuacan’s sophisticated use of color in their art, where such hues were decorative and laden with meaning.
While the head and left foot have been reattached, with visible break lines, the figure remains largely unrestored, preserving its historical integrity. This minimal restoration allows the figure to retain much of its original character, offering collectors a piece that is authentic and evocative of its ancient origins. The absence of the right thumb adds to the narrative of the figure’s journey through time, making it a testament to Teotihuacan art’s durability and enduring appeal.
Although small at 2.75 inches in height, this figure holds significant cultural value. Its compact size does not detract from its detailed craftsmanship and the symbolic weight it carries. As an artifact from one of Mesoamerica’s most influential civilizations, this Teotihuacan sitting figure provides a rare and tangible connection to the past, offering insight into ancient Mexico’s artistic traditions and societal structures.
It measures 2.75″ in Height.
Mexico, ca. 300 – 650 A.D.
Comes on an all-wood block stand.
Price $1,250
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Mezcala Guerrero Hunchback Stone Pendant
Mezcala Guerrero Stone Hunchback/Warrior Figurine Pendant. Carved in high relief. Linear incising for all features. Hands come up to upper chest from sides. Humpbacked. Legs semi bent. There is a vertical hole in the back of the head for suspension—pale green with small deposits. There is old label residue on the back. H. 2” tall. No chips and in choice condition. Mexico, Guerrero region, Mezcala, ca. 500 to 100 BC.
Note: The last image is a magnified view of the perforation hole from the top of the head.
Precolumbian Mezcala semiabstract stone faces represent intricately carved artifacts from the Mezcala culture, distinguished by a distinctive artistic idiom. Characterized by a fusion of realism and creative interpretation, these stone figures intricately capture facial features in a stylized manner. Emblematic of the Mezcala civilization’s ritualistic milieu, these artifacts are a testament to this ancient Mesoamerican society’s cultural and artistic proclivities, whose cultural zenith extended from approximately 700 B.C. to 200 A.D.
Price – Sold
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Jade Axe God Pendant Celt
Costa Rican Anthropomorphic Axe God Pendant. It is carved in low relief with a highly glass-like polish front—linear incising for all facial features. Hands are united across the upper chest. The rear shows a flat sawed surface, partly smoothed and broken septum—a sharp bottom edge. There are two drilled holes on each side of the head through which this object could be suspended and worn. Beautiful speckled medium green jade. H. 3.35” tall. Choice condition. Guanacaste-Nicoya region, Costa Rica. Ca. 500 B.C. – 500 A.D. Positioned on the stand for illustration purposes but can be made upon request without charge. Lead production time is 3-5 working days.
The axe gods are believed to have had ceremonial and symbolic significance, possibly representing deities or ancestral spirits. They were crafted with great skill, showcasing the artistic and technical prowess of the ancient cultures in the region. The use of jade underscores its cultural importance, as jade was highly valued for its rarity and perceived spiritual properties.
Carvings on Guanacaste-Nicoya Jade axe gods are culturally and symbolically significant, portraying mythological, spiritual, or ceremonial themes. These intricate carvings played a role in religious rituals, serving as conduits between the physical and spiritual realms. The artifacts, crafted with precious materials like jadeite jade, denoted high social status and participation in important ceremonies. Nature-inspired elements in the carvings highlight the cultural connection to the environment, while the use of jade adds ritualistic importance associated with fertility and renewal. These carvings offer insights into the cultural identity and artistic expression of the ancient Mesoamerican societies in the Guanacaste-Nicoya region.
Price $900
Inca Axe Blades c. 1400 A.D.
A pair of heavy ornamental bronze circular axe blades with irregular form. Both are cast and hammered on the cutting edge. One has a crescent-shaped blade with pointed prongs and a triple supporting hafting base with two holes. The other is a half-moon-shaped blade engraved with geometric designs on both sides and a double-supported hafting base. Inca, Peru ca. 15th century.
Measures: 5.5”/13.97 cm x 6”/15.24 cm; 5.5”/13.97 cm x 9”/22.86 cm. Arranged in a 12″/30.48 cm by 16″/40.64 cm by 3”/7.62 cm black shadowbox glass display case or a custom stand can be arranged.
Similar examples are illustrated in “Cobre del Antiguo Peru” pp 468 – 469, pl 166 and 167. Also housed in the Museo Oro del Peru
Provenance: Private Fort Lauderdale, FL collection. Acquired 1980’s.
These large Inca bronze axe blades were utilized for ceremonial rituals and often featured intricate designs, symbolizing the cultural and religious significance of the Inca society. The blades were crafted and typically made of copper alloys for their resilience, hardness, and bright luster. The craftsmanship of these artifacts highlights the Inca’s technological achievements during their reign in the Andean region.
Price $8,850
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Pre-Columbian Art For Sale
We provide quality pre-columbian art for sale. Galeria Contici specializes in pre-Columbian Mesoamerica, South America, and Central America artifacts. The gallery offers many artifacts, such as pottery, sculptures, masks, and jewelry. The gallery’s collection includes pieces from various cultures, such as the Aztec, Maya, Moche, Nazca, and Inca. In addition to selling antiquities, Galeria Contici also provides consultation and educational resources on this subject.
For over 15 years, Galeria ConTici has passionately devoted our expertise to curating an exceptional collection of unique and impressive ancient art. As a Pre-columbian Art dealer, we offer our discerning clientele a journey through time and culture. Each piece in our collection is a testament to the intricate quality of ancient civilizations, evoking a deep appreciation for fine art.
At Galeria ConTici, we prioritize authenticity, subjecting every valued item to rigorous microscopic analysis. Each artifact has been meticulously vetted to represent the specified culture and age authentically. We stand behind the genuineness of our collection with an unconditional guarantee, providing our clients with confidence in the authenticity of their acquisitions.
When it comes to art collection and acquisition, verifying authenticity is also crucial. Galeria Contici offers thorough database checks, incorporating the use of those provided by the Art Loss Register (ALR), which are essential. These databases contain extensive records of stolen art and cultural artifacts, aiding in confirming legitimacy and preventing the unwitting acquisition of illicit pieces. Successful verification enhances a piece’s value and demonstrates a commitment to ethical art stewardship and cultural preservation. Authenticity through database checks is vital for upholding ethical standards and safeguarding cultural heritage.
All artifacts at Galeria ConTici are ethically sourced and legally obtained. Our commitment extends to strict adherence to state and local laws, aligning with crucial articles such as “The Antiquities Act of 1906,” “UNESCO 1970” (ratified in 1972), and “UNIDROIT 1995.” This unwavering dedication ensures that our clients can explore our collection with the assurance that every acquisition is not only a work of art but also acquired in full compliance with established laws and regulations.
Explore the rich cultural heritage with Galeria ConTici, where every piece tells a story of craftsmanship and authenticity.
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Paracas Wood, Stone and Feather Club
An exceptional Paracas wooden club. One of the hardest items to come by intact from this region with these outstanding features. The wood handle is probably made from the Mastodon palm. Parrot feathers surround and trim the lower base of the six-pointed stone head. The maker did not hold back in demonstrating that this club was made for a high-status individual. The outer mace has been incised with a humanoid figure. Each point is adorned with an appendage. Under magnification, tiny clear crystal stones are embedded in the eyes with a gold flake nested in one. A triangular green stone is placed on his forehead. In the center body of the stone mace is an extraordinary series of Sun Flairs edging outwards from a cast Silver moon – illustrating a solar eclipse.
This depiction strongly suggests the shared Andean Sun God – later known by the Incas as “Inti.”
The lower shaft is also impressive. The wood finial is carved flat into a musician holding a bone flute. Larger light purple stones are embedded to each side, separating his body and arms. Indeed, it is a fantastic piece. South West Coast, Peru. Paracas, Early Horizon ca. 800 – 100 BC.
Measures 17”/43.1 cm in length, 4.5”/11.43 cm mace head.
Condition: The wood shaft is rough and fraying with chipped stone points; otherwise, in excellent condition.
Ex Boston, MA collection acquired before 1975
Price $5,800
Paracas Sun God Mace Club – flickr
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases