This La Tolita-Tumaco ceramic plaque is in the form of a fish or leaf, as described in the book. In either case, the form symbolizes the vital relationship between humans and the balance of nature. The front surface is carved rough with a smooth red pigmented border. It has been theorized that these objects were used to grate Yucca tubular, but this function is doubtful as insignificant wear on these objects has been observed. We hypothesize that these instruments were used for ritual purposes. Intact. Measures 9.5″/23.5 cm. Esmeraldas region, Ecuador/Colombia. Ca 500 B.C. – 500 A.D.
Published in Prima Dell America 4000 Anni Di Arte Precolombiana a Cura Di Giuliana Zanetti, p. 253. A custom-made display and book will accompany this piece.
Provenance: Gallery, Australia
It displays beautifully on the included custom stand.
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Inca Serpentine Stone Axe
A dark green T-shaped Serpentine Inca stone axe. Both sides are polished with a perforation hole. The prior owner has cleaned one side of the stone, exposing the stone’s luster. Some wear to the edge; otherwise, it is in excellent condition. The axe measures 4.5″ in length, 4.25″ wide, and 0.75″ in thickness. Highland of Ecuador, Ca. 1400 – 1550 A.D. An excellent specimen.
This stone axe represents the fine craftsmanship of the Inca culture during the late period, just before the Spanish conquest. The “T-shaped” design, characteristic of Inca tools, reflects its utilitarian and ceremonial functions. The dark green serpentine stone, a favored material among Andean cultures, was prized for its aesthetic qualities and symbolic significance. It was believed to hold protective and spiritual powers.
The perforation hole suggests that this axe may have been hafted and potentially used in practical and ceremonial practices. The polishing on both sides indicates meticulous care in its creation, signifying its value and possibly its association with a person of status. The slight wear on the edge is consistent with use, yet the overall condition remains excellent, making it a rare artifact.
Inca stone axes like this one were integral to agricultural, construction, and ceremonial contexts, symbolizing strength and resilience. The well-preserved state of this axe, particularly its polished surfaces and intact perforation, adds to its desirability for collectors and scholars.
Overall, this serpentine axe is an exceptional example of Inca stonework, offering a tangible connection to one of South America’s most sophisticated pre-Columbian civilizations. Its historical significance and excellent condition make it a valuable addition to any collection of ancient artifacts.
Price $825
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Jalisco Seated Female Holding Bowl
A sweet-looking Jalisco seated female holding a bowl. This hollowed pottery figure has a white slip surface with an overall dark sediment deposit encrusted. Her delicate facial characteristics, accentuated by a nose ring, are naturally inspiring. She is bare-chested and wears a knee-length skirt. She raises her right arm while holding a bowl on her left shoulder with her left arm.
West Mexican shaft tomb figures like this one are named for a key architectural feature of their culture. Jalisco, on Mexico’s southwest coast, was part of this culture, along with nearby Colima and Nayarit. They dug deep shafts into volcanic rock, leading to burial chambers. These chambers were often beneath homes and held many family members’ remains. The figures, including this one, were placed inside, maybe in conversation with the dead. We’re still unsure if they represent specific people or have a religious purpose. Despite this mystery, they remain beautiful and thought-provoking relics of the past.
c. 300 BC – 300 AD.
It measures 7.5” in height.
Provenance: C. Hagemann, OR. Acquired 1980’s
It’s an absolutely gorgeous piece. This artifact would make a significant addition to any collection. It offers a glimpse into ancient Jalisco society and serves as a powerful symbol of womanhood. Its size, condition, and historical importance make it a valuable and visually striking piece of pre-columbian art.
Price $1,295
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Valdivian Shell Jaguar Pendant
A massive and heavy shell pendant/scepter of a Jaguar crouched atop a geometric pattern platform. Sculpted from a large, thick spondylus core. Perforation to the nose. It’s most certainly a status piece. Excellent weathering patterns overall. West Coastal region, Ecuador. 3000-1450 BC. Measures over 5″ unmounted – 6 1/2″ mounted. 4″ wide and 1″ thick.
Choice condition.
Provenance: Ken Bower of Lands Beyond Pre-columbian Art Gallery, NY
The weathered surface, from front to back, adds to the character and historical depth of the colossal pendant.
Price – $1,200
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Nariño Bone Maskette Pendant Nariño Human Effigy Clyster Tube
The representation of this Nariño Clyster Tube and nude male may be linked to agricultural field-fertility rites. Traditional sculpted face with bob-cut hair. Decorated geometric patterns on the burnished lower half of the vessel. Black and red on cream resist paint. Minor surface erosion. There is a small stable hairline crack at the base of the effigy, with testicles being reattached. Measures 10.75”/27.30 cm in length. Piartal cultural complex ca. 750 AD -1250 AD. Highland Nariño region.
Provenance: Private Fl collection
The stand is not included. However, one can be produced without charge. 10 day lead time is needed. Please inquire.
Ref. Similar example can be seen in “Colombia Before Columbus” pg. 168 Plate XLVI
Price – $1,280
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Fine Set of Moche Bronze Tumi
A fine set of large Moche Bronze Tumi. Each ceremonial knife is crowned with a figurine of a warrior wearing a combination of different battle-ready garments with weapons in hand. The detailing of these finials is impeccable. Faces are expressive, garments and arms are well executed. Produced using the lost-wax technique with the lower blade of the knife smelted. Heavy overall patina. Moche, Northwest Peru. Ca 100 – 800 AD. Each knife measures approximately 8″ in length. It is scarce to find a set of three come together intact in this high caliber.
Mounted together on a wood and metal platform stand.
Condition: Choice
Provenance: Ex Private Florida Collection; Ex Bongard Collection
Price – $6,850
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Olmec Weathered Jade Mask
This exquisite weathered were-jaguar Olmec mask, carved from a stunning oatmeal green, white jadeite stone, is a masterpiece of ancient artistry. This Olmec stone mask is expertly worked with graceful, subtle contours and displays signature Olmec ruler traits that mimic the colossal stone heads of San Lorenzo. The prominent facial features of this mask include a flat nose and fleshy cheeks. With a downturned jaguar mouth, it has parted lips that reveal teeth, a large glabella, and slanted eyes with drilled holes at the corner peripherals. It also displays lengthy straight ear flaps with unfinished holes at the top, made using reeds and wet sand. This piece’s blending of lifelike, relatively naturalistic, and contrasting abstract interpretations is captivating. The weathered surface, from front to back, with some edge chipping, adds to the character and historical depth of the mask.
This mask is a significant representation of Olmec culture and a superb example of the skilled craftsmanship of the period. The careful attention to detail in the carving process reflects the high artistic achievement during the Olmec era, which spanned from approximately 1500 to 400 BCE. Jadeite, a highly prized material among Mesoamerican cultures, underscores the mask’s importance, likely serving as a symbol of power or status for its original owner.
The mask’s design symbolizes the were-jaguar motif, a central theme in Olmec art, representing a mythical creature that combines human and jaguar features. This motif is often associated with shamanic transformation, linking the wearer to earthly and supernatural realms. The mask’s weathering and the slight imperfections, such as the edge chipping, provide a tangible connection to the ancient world, offering insight into the age and authenticity of this remarkable artifact. This piece is not just a work of art; it is a testament to the enduring legacy of the Olmec civilization.
Mexico to Guatemala c. 900 – 600 BC.
Measures: 5” in Height; 6″ on a custom metal stand.
Provenance: Private Fl collection; S. Gomm collection, Portland, OR. Acquired 1980’s
This artifact would make a significant addition to any collection. It offers a glimpse into ancient Olmec society and serves as a powerful symbol of cultural and spiritual beliefs. Its size, condition, and historical importance make it a valuable and visually striking piece of pre-Columbian art.
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Moche Druzy Crystal Tumi
This is an excellent Moche lord stone tumi with a suspension hole. Made from druzy quartz crystal, it has a deeply incised carving and a nice patina. It might have been used as a talisman pendant. It is in fine condition. Loma Negra region, Peru. c. 100 and 300 AD. It measures 5″. Scarce.
Per request, a stand can be ordered without charge. Allow 5-10 production time.
Provenance: Ex Goodman, TX; Private Florida collection.
Price – $675
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases
Large Chancay Wooden Scepter
A hansom and large Chancay wooden scepter/staff. Made from light wood (Alder tree) that measures 21″ in length. Iconic homogeneous face finial. Strong brow, nose, and sculpted chin. Eyes are carved diamond-shaped with black coloring surrounding the outer portion. There is more trace color on the lower face. Alternating light yellow and black striping throughout the bottom portion of the shaft with some red spotting. Mounted on a wood and metal base. Lima region, Peru, 800-1400AD. Choice Condition.
Provenance: Ex Danish collection; Private Florida collection.
Price – $875
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Regional Division of Pre-Columbian Americas’ Major Archaeological Cultural Phases